Sunday 16. Sep. 2018, 4.00 pm | Elbphilharmonie, Großer Saal
Joseph Haydn: Symphony No. 91 E flat Major Hob. I:91
Arnold Schönberg: Chamber Symphony No. 2 op. 38
Wolfgang Amadeus Mozart: Piano Concerto c minor KV 491
Dirigent und Pianist: Christian Zacharias
Philharmonisches Staatsorchester Hamburg
With his distinctive combination of integrity, unique style, surpassing linguistic expressiveness, deep musical insight and assured artistic instinct paired with his charismatic and captivating personality, Christian Zacharias has made a name for himself not only as one of the world’s leading pianists and conductors, but also as a musical thinker. Beginning as a pianist and later moving on to work as a conductor as well, his international career burgeoned through numerous widely acclaimed concerts with the world’s leading orchestras, renowned conductors not to mention several awards and recordings.
In the 2017/18 season, Christian Zacharias takes over as first guest conducor of the Orquesta y Coro de la Comunidad de Madrid for the next three seasons and presents among other projects its Schumann Festival, which includes all four symphonies and the great Solokonzerte. Poetry without Words – Schumann’s music is a central point in Zacharias’ musical work and is thus also on offer at his concerts at the Zermatt Festival, in Gävle, Göteborg, Bucharest and Gdansk. Together with the Stuttgart Philharmonic, he builds on their successful musical collaboration and presents another Mozart/Bruckner program on tour in Germany. Internationally he appears in Montreal, Porto, Bilbao and Bergen, among others.
His selected piano recitals in Paris, Essen, Zurich and Lyon, among others, are dedicated to Haydn and Bach this season and in his piano lecture, he talks about Haydn “creation out of nothing?”.
Zacharias was a long-term Artistic Partner at the St. Paul Chamber Orchestra and is still deeply connected to the orchestra. He also maintains close ties with the Gothenburg Symphony Orchestra, the Boston Symphony Orchestra, the Kammerorchester Basel, the Konzerthausorchester Berlin and the Bamberger Symphoniker. Zacharias also performs recitals in the major musical centres worldwide and collaborates with like-minded musicians such as Frank Peter Zimmermann, the Leipziger Streichquartett and Baiba Skride.
He regularly turns his attention to opera, leading productions of Mozart’s opera seria “La Clemenza di Tito”, “Le nozze di Figaro” and Offenbach’s “La Belle Hélène”. In early 2015, he conducted Otto Nicolai’s “The Merry Wives of Windsor” at the Opéra Royal de Wallonie in Liège. This production was awarded the “Prix de l´Europe Francophone” 2014/2015 by the Association Professionnelle de la Critique Théâtre, Musique et Danse.
Since 1990 he has appeared in several films: “Domenico Scarlatti in Sevilla”, “Robert Schumann – der Dichter spricht” (INA, Paris), “Zwischen Bühne und Künstlerzimmer” (WDR-Arte), “De B comme Beethoven à Z comme Zacharias” (RTS, Switzerland) and released a recording of all Beethoven piano concertos (SSR-arte).
Zacharias’ work in the world of music has earned him numerous awards and prizes, including the 2007 Midem Classical Award “Artist of the Year”. The French government also honoured him as an “Officier dans l’Ordre des Arts et des Lettres” and he was awarded for his contributions to culture in Romania in 2009. In 2016 he was named member of the Royal Swedish Academy of Music.
During his time as Artistic Director and Principal Conductor of the Orchestre de Chambre de Lausanne, his recordings with the orchestra garnered widespread critical acclaim among the international press. Of note is his complete cycle of Mozart piano concertos, which won the Diapason d’Or, Choc du Monde de la Musique and ECHO Klassik awards. His most recent recordings feature the four Schumann symphonies and C.P.E. Bach’s Berlin symphonies.
In 2015 and 2017, Christian Zacharias chaired the Jury of the Clara Haskil Competition and as president of the jury of the 2018 Geza Anda Competition he will conduct the final concert.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Georg Philipp Telemann, Piotr I. Tchaikovsky, Richard Strauss, Gustav Mahler, Sergey Prokofiev and Igor Stravinsky, since the 20th century chief conductors such as Karl Muck, Eugen Jochum, Joseph Keilberth, Wolfgang Sawallisch, Horst Stein, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Sir Neville Marriner, Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy at St. Michaelis, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet – John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 134 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only, which celebrates its 50-year anniversary in 2017/18.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. In 2012 Simone Young received a Helpmann Award for performances of Mahler’s Symphony No. 2 and Wagner’s Rheingold with the Philharmonic in Brisbane, Australia. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to the Hansa City’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. To this day, the TV format Musikkontakte initiated by Gerd Albrecht during his tenure as General Music Director is unforgotten. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
Venue: Elbphilharmonie, Großer Saal, Platz der Deutschen Einheit 4, 20457 Hamburg
