Carolina Borrajo was born in Zaragoza, Spain. She was trained at the Marìa de Ávila Ballet School in her native town and at the School of the Hamburg Ballet. After her first engagement at the Ballet Classico de Zaragoza, she was a soloist at Bonn Opera, at the Hessian State Theatre Wiesbaden and at the Lucerne Theatre. She received her diploma as a children's dance teacher and stage dance teacher at the State University of Performing Arts in Mannheim. In August 2008 she took up a position on the teaching faculty of the School of the Hamburg Ballet.
Stacey Denham was born in New York. She danced with the Alvin Ailey Dance Theatre Repertory Company, the Clive Thompson Dance Company, with Judith Jamison, at the Washington D.C. City Ballet Company and at the Theater des Westens in Berlin. As a long-standing guest teacher she teaches the Theatre Classes in modern dance, based on the Horton-Technique. She is also in charge of the dance composition classes and co-ordinates the "Creativity Workshop" in the Ernst Deutsch Theater.
BORN
in Miami, Florida, USA. American
EDUCATION
School of American Ballet, NYC.
American Ballet Theater School, NYC
ENGAGEMENTS
American Ballet Theatre, NYC
Stuttgart Ballet
Hamburg Ballet 1976-1983
Nederlands Dans Theater 1983-1985
Les Ballets de Monte-Carlo as dancer, Ballet Master and choreographer 1985/1986
London Festival Ballet 1986-1988
Béjart Ballet Lausanne in 1988
Hamburg Ballet as Ballet Master for the school and the company since 1991, since 2006 Principal Ballet Master. Since 2011 he is also Artistic and Pedagogical Director of the National Youth Ballet
CREATIONS
Joseph in "The Legend of Joseph"
Puck in "A Midsummer Night's Dream"
Catalabutte and Blue Bird in "The Sleeping Beauty"
Petrushka in "Petrushka"
Lancelot in "The Saga of King Arthur"
Emble in "The Age of Anxiety"
A principal role in "Saint Matthew Passion"
Armand in "Die Kameliendame" (Hamburg version)
"Fourth Symphony of Gustav Mahler" (Hamburg version)
REPERTORY
Armand and Gaston in "Lady of the Camellias"
Günther in "The Nutcracker"
Romeo in "Romeo and Juliet"
Prince Désiré in "The Sleeping Beauty"
Daphnis in "Daphnis and Chloë"
and solos in
Vaslav
Third Symphony of Gustav Mahler
Fourth Symphony of Gustav Mahler
Lieb' und Leid und Welt und Traum
(Mahler's 1st and 10th Symphony)
Les Noces (Jerome Robbins)
Le Train Bleu (Bronislava Nijinska)
GUEST TEACHER
Royal Swedish Ballet, Malmö Ballet, English National Ballet, Royal Danish Ballet, Ballet der Deutsche Oper Berlin, Ballett Dresden and Le Ballet de l'Opéra National de Paris and its Ballet School.
HE STAGED
"Les Sylphides" at the age of 17 for the Royal Danish Ballet, with Erik Bruhn. "Yondering" for the National Ballet School of Canada and the Ballet School of the Opéra National de Paris. "The Little Mermaid" for the San Francisco Ballet and the Stanislavsky Ballet Moscow. "Lady of the Camellias" for the American Ballet Theatre and the Bolshoi Ballet. "Romeo and Juliet" for the Tokyo Ballet.
HE DANCED
Joseph as a guest in "The Legend of Joseph" productions of Munich and Vienna, and also for the video production of this ballet with the Ballet Company of Vienna State Opera.
John Neumeier's "Opus 100 - for Maurice" with Ivan Liska at a Gala, in Lausanne, for the 70th Anniversary of Maurice Béjart.
He also performed this ballet in May 98 and during the season 98/99. In the same evening, the Hamburg Ballet danced a ballet that Kevin Haigen choreographed for Les Ballets de Monte-Carlo in December 30, 1985, "Moments Movements Mendelssohn" (Original title: "After Dawn").
HE CHOREOGRAPHED
for the School of American Ballet, American Ballet Theatre II, Les Ballets de Monte-Carlo, English National Ballet, Spoleto Festival, Malmö Ballet, Hamburg Ballet, Ballettschule der Österreichischen Bundestheater Wien and the School of the Hamburg Ballet.
Donya Feuer made a documentary about him: The Work of Utopia.
Gigi Hyatt is German-American. She received her training in her hometown Berlin with Tatiana Gsovsky and continued it from 1974 in Munich with Konstanze Vernon at the Heinz-Bosl-Stiftung. In 1982, Gigi Hyatt joined the Hamburg Ballet John Neumeier. In her first season she was already promoted to demi-soloist. In her second season, she became a soloist and in 1986 a principal dancer. She created several leading roles with John Neumeier, including Desdemona in "Othello", Solveig in "Peer Gynt", Cinderella, Undine and Viola/Feste in "VIVALDI or What You Will". In 1997, she ended her career on stage and moved to the USA. She first was ballet mistress and teacher at The Georgia Ballet and School (Marietta, Georgia, USA), and in 2004 became Artistic Director. At the beginning of the 2013/14 season, Gigi Hyatt took over as Pedagogical Principal and Deputy Director of the School of the Hamburg Ballet.
Elizabeth Loscavio was born in Jacksonville, Florida, USA and studied classical dance at the Contra Costa Ballet School, the Pacific Northwest Ballet School and the San Francisco Ballet School. In 1986 she became a member of the San Francisco Ballet, where she advanced to soloist two years later and in 1990 to first soloist. In 1997 she joined the Hamburg Ballet as soloist and was promoted to principal in 1998. In addition to numerous creations in San Francisco and Hamburg, she danced an extensive repertoire in both companies and completed several international guest appearances. In 1991 she was honored with the Isadora Duncan Award for Individual Performance and in 1996 with the Arts Achievement Award for Classical Dance of the San Francisco Focus Magazine. In the DVD "Illusions – like Swan Lake" she dances Princess Natalia. Since 2005 she is responsible for the management of ballet shoes at the Ballettzentrum Hamburg John Neumeier. From 2014 to 2017 she taught classical dance at the Erika Klütz Professional School for Theatrical Dance and Dance Pedagogy. Since the season 2017/18 she teaches classical dance at the Ballet School of the Hamburg Ballet.
Janusz Mazon was born in Bytom, Poland and trained for nine years at the ballet school there. In 1980 he was offered a contract with the ballet company of the Warsaw State Opera. In 1985 he joined the Hamburg Ballet. He advanced to soloist in 1989 and to principal in 1993. He danced many of the leading roles in the repertoire of the Hamburg Ballet as well as creating new roles in John Neumeier's ballets. In 1997 he moved to the USA where he graduated with a degree as Doctor of Chiropractic in 2002. While maintaining his work in his chiropractic office, he was also ballet master for The Georgia Ballet School and Company. Janusz Mazon returned to Hamburg in 2013 where he took up a position on the teaching faculty of the School of the Hamburg Ballet.
Christian Schön is from Hamburg and successfully completed his training at the School of the Hamburg Ballet. As a dancer he was part of the Dortmund Ballet, the Bonn Opera and the Ballet Theater Hagen. After his education as a ballet teacher in Toronto at Canada's National Ballet School, he worked in Maastricht, Netherlands. Since 2003 he has been teaching the elementary and intermediate boys and the Theatre Class boys, as well as pas de deux. He was a guest teacher at the Palucca Hochschule für Tanz Dresden.
BORN
16.3.85 in Artaschat, Armenia. Ukrainian
EDUCATION
Prag Conservatory
The School of the Hamburg Ballet
MAIN TEACHERS
Zoya Kavac, Miroslav Hajn, Jaroslav Slavicky, Jarmila Jarosova, Radik Zaripov, Kevin Haigen, Christian Schön
ENGAGEMENT
Hamburg Ballet since 2004, Solist in 2011, Teacher (Ballet School) since 2020
CREATIONS
Wolf Beifeld in "Liliom"
and solos in
Purgatorio
Herr Sprüngli (Yohan Stegli)
The Brain of Sasha Trusch (Yohan Stegli)
Zozula (Edvin Revazov)
REPERTORY
Fritz in "The Nutcracker"
Lionel in "Parzival – Episodes and Echo"
A Minister in "A Cinderella Story"
Petrushka in ‘Petrushka’ and Stanislav Nijinsky in "Nijinsky"
Count N. in "Lady of the Camellias"
Quadrille and The Speaker in "Illusions - like Swan Lake"
Philostrat/Puck and Flute/Thisbe in "A Midsummer Night's Dream"
Hermes, the Psychopomp and Hermes' Attendant in "Orpheus"
Shaw in "A Streetcar Named Desire"
Benvolio and Antonio in "Romeo and Juliet"
Touchstone in "As You Like It"
Sebastian in "VIVALDI or What you will"
A Soldier (Moresca Dance) in "Othello"
Hilarion in "Giselle"
Mads Moen in "Peer Gynt"
a shephard in "Christmas Oratorio I-VI"
Alain in "La Fille mal gardée" (Frederick Ashton)
Man in Brick in "Dances at a Gathering" (Jerome Robbins)
The Shy Boy in "The Concert" (Jerome Robbins)
Giacomo in "Napoli" (August Bournonville / Lloyd Riggins)
Gamache in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
and solos in
Saint Matthew Passion
Third Symphony of Gustav Mahler
Préludes CV
Le Sacre
Winterreise
Wege (Yukichi Hatori)
GUESTING
In Sydney for the Jubilee Gala of the Tanya Pearson Classical Coaching Academy
HE CHOREOGRAPHED
"Yes we Could"
Premiere: Young Choreographers, Hamburg, 2015
"Solo für zwei"
Premiere: Young Choreographers, Hamburg, 2016
AWARDS
Finalist at the International Dance Competition in Nyon, Switzerland (1999)
Best up-and-coming Young Dancer at the National Ballet Competition in Brno (2000)
First Prize at the International Ballet Competition - "Prix Carpeaux" (2002)
More about Konstantin Tselikov
Anna Urban (Polikarpova) was born in Tomsk, Russia and studied at the Vaganova Academy in St. Petersburg. In 1988 she joined the Mariinsky Ballet and became a soloist in 1989. In 1992 she joined the Hamburg Ballet as a soloist and was promoted to principal in 1994. John Neumeier created numerous roles and soli for her including Penelope in "Odyssee", Ophelia in "Hamlet", Romola Nijinsky in "Nijinsky" and Arkadina in "The Seagull". The Swedish choreographer Mats Ek created for her "Meinungslose Weiden" and Gold Fairy in "The Sleeping Beauty". She also danced a wide-ranging repertory. After her education as a ballet teacher in Toronto at the Canada's National Ballet School under the supervision of Mavis Staines, Anna Urban teaches classical dance at the School of the Hamburg Ballet since the 2014/15 season. She has won numerous prizes, among them, silver Medal in the Maya competition and diploma in the Prix Benois de la Danse competition. Starred in various DVDs, for example in John Neumeier's "Illusions – like Swan Lake", in Yuri Grigorovich's "The Stone Flower" and Fokine's "Les Sylphides".
Viktoria Zaripova was born in Russia and trained as a ballet dancer at the State Ballet Academy in Perm according to the Vaganova method. She was engaged as a soloist and continued her training as a ballet teacher at the Cultural Institute, before continuing her solo career in St. Petersburg at the Maly Opera and Ballet Theatre. In the early 1990s she moved to Hamburg, where she has since worked as a teacher in numerous institutes, specializing in classical ballet, repertoire, character dance and choreography. Since August 2013 she has been teaching character dance as a guest teacher at the School of the Hamburg Ballet.
Janusz Mazon was born in Bytom, Poland and trained for nine years at the ballet school there. In 1980 he was offered a contract with the ballet company of the Warsaw State Opera. In 1985 he joined the Hamburg Ballet. He advanced to soloist in 1989 and to principal in 1993. He danced many of the leading roles in the repertoire of the Hamburg Ballet as well as creating new roles in John Neumeier's ballets. In 1997 he moved to the USA where he graduated with a degree as Doctor of Chiropractic in 2002. While maintaining his work in his chiropractic office, he was also ballet master for The Georgia Ballet School and Company. Janusz Mazon returned to Hamburg in 2013 where he took up a position on the teaching faculty of the School of the Hamburg Ballet.
Indrani Delmaine was born in London, England where she completed her training as a ballet dancer and teacher. She then attended the John-Cranko-Ballett Akademie in Stuttgart before being offered her first contract by John Neumeier in 1977 for the Hamburg Ballet. She later danced with the Stuttgart Ballet for three years before returning to John Neumeier in Hamburg in 1982. Indrani Delmaine was from 2013 to 2022 Managing Coordinator of the School of the Hamburg Ballet. Since 2022 she is a Pilates coach at the ballet school.
Florian Pohl, born in Karlsruhe, was trained at the School of the Hamburg Ballet. He became a member of the company in 2009 and became a soloist in 2019. Since 2023 he has also been responsible for the accident prevention at the ballet school.
BORN
Sao Leopoldo, Brazil. Brazilian/German
EDUCATION
Ballet Sinos (Brazil)
Ballet Concerto (Brazil)
Palucca School Dresden, High School for Dance
MAIN TEACHERS
Victoria Milanez, Hans-Joachim Tappendorf
ENGAGEMENTS
Dresden SemperOper Ballett
Hamburg Ballet 2008-2010, 2011 Soloist and Principal 2012-2022
Since 2023 Managing Coordinator of the Ballet School
CREATIONS
Alexandra Baldina in "Le Pavillon d'Armide"
Marie in "Liliom"
Olga, Tatiana's Sister in "Tatiana"
and solos in
You Never Know (Yaroslav Ivanenko)
Renku (Yuka Oishi/Orkan Dann)
REPERTORY
in Dresden
Kitri in "Don Quixote" (Vladimir Derevianko)
Katharina in "The Taming of the Shrew" (John Cranko)
Lise in "La Fille mal gardée" (Joseph Lazzini)
Peasant Pas de Deux in "Giselle" (Vladimir Derevianko after Jean Coralli and Jules Perrot)
Princess Florine in "The Sleeping Beauty" (Aaron S. Watkin after Marius Petipa)
Louise in "The Nutcracker"
Helena in "A Midsummer Night's Dream"
Princess Claire in "Illusions: – like Swan Lake"
Stella in "A Streetcar Named Desire"
Swanhilda in "Coppélia"
Lykainion in "Dapnis und Chloë"
Gamsatti in "La Bayadère" (Aaron S. Watkin)
and solos in
Chopiniana (Aaron S. Watkin after Michail Fokine)
In the Middle, Somewhat Elevated (William Forsythe)
The Vertiginous Thrill of Exactitude (William Forsythe)
Enemy in the Figure (William Forsythe)
Artifact Suite (William Forsythe)
Second Detail (William Forsythe)
Symphony No. 2 (Uwe Scholz)
The Creation (Uwe Scholz)
Ways (Petr Zuska)
Theme and Variations (George Balanchine)
Vertigo Maze (Stijn Celis)
She was black (Mats Ek)
Le Sacre
in Hamburg
Polina Andreyevna and The Star of the Revue in "The Seagull"
Manon Lescaut and Prudence in "Lady of the Camellias"
Diana in "Sylvia"
Bronislava Nijinska in "Nijinsky"
Louise in "The Nutcracker"
Helena in "A Midsummer Night's Dream"
Quadrille, one of the Small Swans, one of the Big Swan und the Butterfly in "Illusions - like 'Swan Lake'"
Rosalind in "Romeo and Juliet"
Geruth in "Hamlet"/"Hamlet 21"
Emilia in "Othello"
La Barbarina in "Death in Venice"
Myrtha and Peasant Pas de deux in "Giselle"
A Stepsister in "A Cinderella Story"
The Servant (Désirée von Wertheimstein) in "Duse"
Effie and Pas de deux of the Scotts in "La Sylphide" (Pierre Lacotte after Filippo Taglioni)
Olga in "Onegin" (John Cranko)
Teresina in "Napoli" (August Bournonville / Lloyd Riggins)
and solos in
Le Sacre
Christmas Oratorio
Vaslav
Third Symphony of Gustav Mahler
Préludes CV
Petrushka-Variations
Winterreise
The Song of the Earth
Birthday Dances
La Vivandière (Pierre Lacotte after Arthur Saint-Léon
GUESTING
In Rome and Birmingham
AWARDS
Gold Medal at the Seminário Internacional de Dança de Brasília 1998
Dr.-Wilhhelm-Oberdörffer-Prize 2009
leslie.heylmann@hamburgballett.de
More about Leslie Heylmann
Gigi Hyatt is German-American. She received her training in her hometown Berlin with Tatiana Gsovsky and continued it from 1974 in Munich with Konstanze Vernon at the Heinz-Bosl-Stiftung. In 1982, Gigi Hyatt joined the Hamburg Ballet John Neumeier. In her first season she was already promoted to demi-soloist. In her second season, she became a soloist and in 1986 a principal dancer. She created several leading roles with John Neumeier, including Desdemona in "Othello", Solveig in "Peer Gynt", Cinderella, Undine and Viola/Feste in "VIVALDI or What You Will". In 1997, she ended her career on stage and moved to the USA. She first was ballet mistress and teacher at The Georgia Ballet and School (Marietta, Georgia, USA), and in 2004 became Artistic Director. At the beginning of the 2013/14 season, Gigi Hyatt took over as Pedagogical Principal and Deputy Director of the School of the Hamburg Ballet.
T: +49 (0)40 35 68-931
F: +49 (0)40 35 68-926
philip.langen@hamburgballett.de
Demis Volpi, Artistic Director of the Hamburg Ballet as of the 2024/25 season.
The German-Argentinean received his dance education in Buenos Aires, at Canada's National Ballet School in Toronto and at the John Cranko School in Stuttgart, Germany. Subsequently he became a member of the Stuttgart Ballet. In 2006, Volpi choreographed his first work for the renowned Noverre Society: Young Choreographers series in Stuttgart. In 2013 was appointed Resident Choreographer of the Stuttgart Ballet after the world premiere of his highly successful story ballet Krabat. He took on his first directorship in 2020/21 as Artistic Director and Chief Choreographer of the Ballett am Rhein, which he will lead until summer 2024. Fascinated by stories and their potential to inspire people, he continues to explore the possibilities of storytelling in ballet. In his first season as Director of the Hamburg Ballet, he will create Demian based on the novel by Hermann Hesse.
During his time at the Stuttgart Ballet, Demis Volpi choreographed, among others, Krabat (based on Ottfried Preussler’s novel), Salome (based on Oscar Wilde) and The Soldier’s Tale. He also created The Nutcracker for the Royal Ballet of Flanders and Giselle and Closed Game for the Ballett am Rhein. In addition, he has created numerous abstract works such Aftermath for the Stuttgart Ballet, Sanguinic for a quadruple bill titled Four Temperaments and The thing with feathers (both for Ballett am Rhein). In 2010, he created The Carnival of the Animals for the John Cranko School in Stuttgart, which was added to the repertoire of the Hamburg Ballet School by John Neumeier in 2012.
Over the past two decades, Volpi has created narrative and abstract works for renowned companies such as the American Ballet Theatre, the Ballet de Santiago de Chile, the Ballet Nacional del Sodre in Uruguay, the Latvian National Ballet, Ballett Dortmund, the Compañia Nacional de Danza de México, the Royal Ballet of Flanders and Canada's National Ballet School, where he was Guest Artist in Residence in 2014.
Since 2014, Volpi has also been working as an opera director, expanding the boundaries of theater genres. In 2017, he staged Benjamin Britten's Death in Venice in a celebrated co-production of the Stuttgart State Opera, the Stuttgart Ballet and the John Cranko School. At the Deutsche Oper am Rhein, he interpreted Bluebeard's Castle by Béla Bartók.
Volpi was awarded the Erik Bruhn Prize in 2011, the Chilean Prize of the Art Critics' Circle in 2012 and the German Dance Prize "Future" in 2014. He was nominated for the Prix Benois de la Danse in 2017 for his full-length ballet Salome and, following the successful opera premiere of Death in Venice, was voted Emerging Artist of the Year 2017 in the critics' choice of Opernwelt. Volpi was a member of the jury for the Prix de Lausanne 2018 and the International Competition for Choreography Hanover. In September 2019, his work and achievements as a choreographer over the past ten years were honored with the Merit Diploma at the Konex Awards in Buenos Aires.
March 2024
LIST OF WORKS
CHOREOGRAPHIES
on and on and on
World Premiere: "Young Choreographers", Noverre Society, May 2006, Stuttgart Ballet
spinto
World Premiere: Gala "Musik und Ballett" of the orchestra association Stuttgart at the Liederhalle Stuttgart
swish
World Premiere: "Young Choreographers", Noverre Society, June 2007, Stuttgart Ballet
palpable leers
World Premiere "Young Choreographers", Noverre Society, July 2008, Stuttgart Ballet
The Broadway Baby
Collaboration with Bridget Breiner; World Premiere on April 1, 2009 for the gala on occasion of Ballet Director Reid Anderson's 60th birthday
from me to you
World Premiere "Young Choreographers", Noverre Society, July 2009, Stuttgart Ballet
Big Blur
Commissioned work for the Stuttgart Ballet, World Premiere: March 31, 2010, Play House Theatre, Stuttgart
Der Zauberlehrling
World Premiere "Choreografen stellen sich vor", July 4, 2010; Baden State Theater Karlsruhe
Der Karneval der Tiere
Commissioned work for the John Cranko Schule, World Premiere during the "Aktion Weihnachten": December 5, 2010, Opera House Stuttgart
the choreography was taken into the repertoire of Hamburg Ballet's ballet school in May 2012
Little Monsters
World Premiere at The Ninth International Competition for The Erik Bruhn Prize on March 5, 2011, The National Ballet of Canada
Capricen
Commissioned work for the Badisches Staatstheaters Karlsruhe, World Premiere: March 12, 2011, Baden State Theater Karlsruhe
Private Light
Commissioned work for the American Ballet Theatre, World Premiere: November 5, 2011, Bard College, later at the New York City Center
Fingerspitzengefühl
World Premiere during the "Aktion Weihnachten": December 11, 2011, Stuttgart Ballet
Hypnotic Poison
World Premiere during the mixed bill "Forsythe, Galili, Volpi": March 24, 2012, Ballet Augsburg
Spaceman
Solo for Luis Ortigoza (Ballett de Santiago de Chile), World Premiere: August 29, 2012, Teatro Municipal de Santiago
Allure
Solo for Hyo-Jung Kang (Stuttgart Ballet), World Premiere: September 15, 2012, Dortmund Ballet
Krabat
Full-length ballet. Commissioned work for the Stuttgart Ballet, World Premiere: March 22, 2013, Stuttgart Ballet
Jam Session – on Tour
Choreography between objects of theartists Alexander Calder und Tamás Saraceno in the Kunstraum K20 und K21 in Dusseldorf, World Premiere: October 2, 2013, Ballett im Revier, Gelsenkirchen
self-protrait of a woman
World Premiere: February 8, 2014 at the Stadttheater Aschaffenburg, DanceWorks Chicago
Aftermath
Commissioned work for the Stuttgart Ballet, World Premiere: April 17, 2014, Stuttgart Ballet
Elēģija
World Premiere on April 26, 2014, Latvian National Ballet Riga
Chalkboard Memories
World Premiere in May 23, 2014, National Ballet School Toronto
Quasi una fantasia
World Premiere on August 27, 2014, Ballet de Santiago de Chile
Aus Ihrer Zeit
World Premiere on September 27, 2014 at the Badisches Staatstheater Karlsruhe, Stuttgart Ballet
Ebony Concerto
World Premiere February 14, 2015, Ballet Dortmund
The Soldier's Tale
Commissioned work for the Stuttgart Ballet, World Premiere: March 13, 2015, Stuttgart Ballet
of the People
World Premiere July 15, 2015, National Ballet School Toronto
Flair
Pas de Deux für Alessandra Ferri and Herman Cornejo
The Nutcracker
Full-length ballet. World Premiere January 24, 2016, Royal Ballet of Flanders
Salome
Full-length ballet. Commissioned work for the Stuttgart Ballet, World Premiere: June 10, 2016, Stuttgart Ballet
Death in Venice
Co-Production Stuttgart Ballet and Oper Stuttgart: Direction/Choreography. Premiere: Mai 7, 2017
Le sacre du printemps
World Premiere for Compañía Nacional de Danza de México, Premiere: March 11, 2018
King and King
World Premiere for Compañía Nacional de Danza de México, Premiere: July 27, 2018
the little match girl passion
Choreography of the vocal composition of David Lang, Co-Production for the National Youth Ballett and the PODIUM Festival Esslingen, Premiere: May 2, 2018
Demian
World Premiere July 6, 2025, Hamburg Ballet, Hamburg
CHOREOGRAPHIES FOR OPERA
La Juive
Choreography for the opera "La Juive" at the State Opera Stuttgart, Premiere: March 16, 2008, State Opera Stuttgart
Don Giovanni
Staging of the opera "Don Giovanni" at the Nationaltheater Weimar, Premiere: September 8, 2018
Médée | Medea Senecae | Medeamaterial
(Opera by Luigi Cherubini | Choir by Iannis Xenakis | Monolgue from "Medeamaterial" by Heiner Müller)
Staging and Choreography of the Co-Production and Choreography of the Co-Production of opera, dance and drama of the Saarländisches Staatstheater, Premiere: January 19, 2019
Teseo
Choreography for the opera "Teseo" at the State Opera Stuttgart, Premiere: May 2, 2009, State Opera Stuttgart
Fetonte
Production of the opera "Fetonte" in Schwetzingen, Premiere: November 28, 2014, Theater Heidelberg
AWARDS
2007
Nomination in the category "Young choreographer to watch" in the critics' survey of the magazine ballettanz
2011
Nomination in the category "Young choreographer to watch" in the critics' survey of the magazine ballettanz
2011
Erik Bruhn Prize: Choreographic Prize for "Little Monsters", performed by Elisa Badenes and Daniel Camargo
2012
Nomination in the category "Young choreographer to watch" in the critics' survey of the magazine ballettanz
2012
Chilean Cultural Critics' Award nominated "Spaceman" the best choreography of the year 2012
2014
German Dance Prize "Future"
* a. G.: Guest
