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Born
in California. American
Education
Began her study with Ingrid Carriker. With Barbara Crockett, Artistic Director of Sacramento Ballet. School of American Ballet, NYC
Engagements
Sacramento Ballet. Ballet de Marseille Roland Petit (1973/1974). Milwaukee Ballet (Principal Dancer 1974-1980). Stuttgart Ballet (Soloist 1980-1985). Zurich Ballet (Principal Dancer 1985-1987). Ballet Arizona (Guest Principal Dancer 1988-1991). Ballet du Nord, France (Principal Dancer 1991-1995). Alberta Ballet (Ballet Mistress 1996-2003). The Hamburg Ballet as Ballet Mistress since 2003
Creations
Among other: ballets by Jean-Paul Comelin and Uwe Scholz
Repertory
- John Cranko: The Taming of the Shrew, Eugene
Onegin, Romeo and Juliet, Initials
R.B.M.E.
- John Neumeier: The Lady of
the Camellias, String Quintet
in C-Major of Franz Schubert, A Streetcar
Named Desire
- William
Forsythe: Orpheus, Love
Songs, Galileo
- George Balanchine: Allegro
Brilliante, Serenade, Scotch Symphony
- Kenneth MacMillan: Gloria,
Fauré's Requiem, My Brothers my Sisters
- Glen Tetley: The Rite of Spring, Voluntaries
- Maurice Béjart: Pétrouchka,
Gaieté Parisienne
- Jirí Kylián: Forgotten Land
- Roland Petit: Proust,
Carmen
- Hans van
Manen: Five Tangos, Five Easy Pieces
- Jean-Paul Comelin: Mozart's
Requiem, Les Nuits d’été, Firebird etc…
Guest Teacher
Singapore Dance Theatre,
Universal Ballet of Korea, The Playhouse Dance Company (Durban, South
Afrika), Gothenburg Ballet (Sweden), Philippines Ballet Theatre, Ballet
Aspen, Ballet British Columbia, Milwaukee Ballet, Mid West Regional Dance
Festival, Les Grands Ballets de Montréal, Pacific Northwest Ballet.
She staged
John Neumeier: Lady of the Camellias, A Streetcar Named Desire, Illusions – like "Swan Lake", The Little Mermaid and Nijinsky; Rudy
Van Dantzig: Four Last Songs; George Balanchine:
Rubies, Prodigal Son;
John Butler, Othello; Helgi Tomasson: Much
Ado: Christopher Wheeldon: A Midsummer’s
Night Dream; Robert
North: Entre dos Aguas, Living
in America; Myriam Naisy: Stars and
Dust; Anthony Tudor:
Echoing of Trumpets; Dominique Dumais: Sans
détour; Jean-Paul Comelin (many of these pieces were
created on her): Mozart's
Requiem, Florestan,
Eternal Spring, Les Nuits
d’été, Firebird, Skylark, Signatures,
and his version of the Classics: Giselle, The
Sleeping Beauty, Swan Lake, Coppelia,
Cinderella, The Nutcracker etc…
She danced as a guest
Jacob's Pillow
Festival (partnered by Ted Kivitt), Malmo Opera Ballet (partnered
by Jonas Kage), Arizona Dance Theatre (partnered by Christopher Boatwright),
Hamburg Ballet, Ballet de Rio de Janeiro (with Marcia Haydee), Ballet
Arizona (partnered by Otto Neubert) and Milwaukee Ballet (partnered
by Peter Schetter).
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